Well, we know that May can be fickle but what strikes me is how different our moods can be based entirely upon atmospheric conditions. And how it colours our perception of our situation.
The hopefulness of yesterday has diminished to a mere plaintive murmur somewhere deep down and in its place has emerged a kind of mild despair and tendency to look at the disadvantageous implications of circumstance.
Things are, to continue to allude, albeit tenuously, to an atmospheric metaphor, Up in the Air. The ever-present spectre of redundancy hangs around us all, prodding our fears and insecurities with a kind of imperative to do the things that perhaps might improve our chances of not being one of the unlucky ones. And of course, the rain rains on the just and the unjust, so no level of diligence is likely to increase the probability of continued employment. This is, of course, not an uncommon position to be in. It is a permanent feature of the employment landscape these days for must of us who work for a company and not for ourselves. Such Is Life.
I haven't been writing here much. The reason for this is kind-of linked to the above: Children effectively grown-up and flown the nest and work tailing off, I find a new, more "authentic" (and ain't that the word of the moment!) approach to life beckons. Quite what that is, I am unsure. But I know it does not involve a corporate environment.
So, what is one to do?
Well, these words seem to be flowing rather well here, and this is encouraging: So, flowing words coupled with some kind of compelling topic means a need for a more self-expressive creative project. To this end, I am finally giving in to those of my friends who have suggested, cajoled and nagged me (and you know who you are!) over recent years to write a book. And that is where most of my words have been finding their way of late. It will be about something I know a tremendous amount about and which sounds rather banal when I see it written down: Home Wine making. Ok. No big deal there. But writing it has brought me an existential pleasure of accomplishing something and even if nobody ever sees it but me, a kind of personal satisfaction will have been achieved.
Well, I looked around at all the books on this topic and generally I believe a lot of them are pretty poor, the good ones being written generations ago and much science and economics having moved swiftly on since then. I made my first wine, apple, when I was 12 about thirty mumble years ago. And it was so good I was enthused and soon had many gallons on the go. I must have made hundreds of gallons of it since then. I am, by popular agreement, quite good at it.
|On the left, my very popular P3 Porter and on the right, last year's elderberry.|
So I know what I am talking about.
The next book will be about the mysterious process of beer making, from grain, in a home kitchen, something I also seem to be good at, by universal consensus. Niche, I know. But I truly believe there is a need for such works.
|My all-grain English Pale Ale: 4.4%, golden, fragrant, nutty. Just like me.|
Ok, we come here to offer our words freely and often tentatively, and they are of ourselves: A window into our inner workings. The things we do, the idle thoughts that crave expression and find their way into text, appear here. And sometimes people will comment, usually positively about what we have written. And that's all very nice and all.
So, I wrote a few chapters and submitted them to literary friends for perusal and consistency checks and feedback was forthcoming. And I found a remarkable response bubbled up in me!
Our words are chosen and combined in ways which we use to represent ourselves. They are our words. So, when changes are suggested, no matter how well-meaning and sensible they seem, it causes the strangest feeling of protectiveness. Is this just me?
A suggestion for rewording feels like a comment about the curious shape of my nose or the way my teeth have chosen to assemble themselves in my smile. How much does changing what I have written (beyond spelling or grammar mistakes) change the essence of myself I have put into the construction of the piece?
A most odd train of thought and one which I am going to need to go away and think about. Ultimately, I can assess the "corrections" and suggestions on their merit, try them out and see if they flow better or represent what I am trying to say more accurately or not. And then i can accept or reject them.
I never realised how personal the whole thing was!